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from Dos Improntus, released March 26, 2016

For the recording Raúl Barboza played on an accordion called "El Morocho" crafted in Italy in the house, Piermaría, in the central-eastern Italian town of Castelfidardo, which is known as the international capital of builders of accordions. Barboza has had this accordion since 1987.

Edelstein played on a Steinway Grand piano, series No.341.230.

Fabiola Ana Russo was the Recording Technician, Daniel Hernandez the Sound Engineer, and Assistant Technicians, Pablo Chimenti and Hernán Kerlleñevich.

No compression, modification or editing was used on the original takes.

The third track "Backstage" reflects the conversations that were had during the times in between the recording.


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Oscar Edelstein Buenos Aires, Argentina

“It’s impossible to pigeonhole and classify that which knocks down genres but at the same time contains all within something new.” EL DIARIO
“The rhythmical, multilayered sound fields develop like waves. Edelstein’s close woven music, continuing the tradition of Varèse, has a force which goes under the skin with great vitality.” BASELLANDSCHAFTLICHE ZEITUNG
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